frail armatures
The Crane Shed, Ramsgate Royal Harbour, September 2026
Jemima Brown, Phil Coy and Zoe DeCaluwe, with public engagement by Sonder CIC and a new essay by Jes Fernie
(scroll down for a selection of images from each artist and further biographical information)
Jemima Brown - 2024, Birds Not Bitches, installation Limbo Project Space, Margate
2019, Number 1 Son (detail), clothing and wood
2024, Monster, clothing, plastic, jesmonite and acrylic
2024, The Tall 1, metal, clothing and plastic
2024, The Tall 1, metal, clothing and plastic (detail)
2019, Endless Washing (Wicker), mixed media
2019, Endless Washing (White), mixed media
Phil Coy – 2019, Linnet on the lecture centre, temporary site-sensitive installation, 1 of 11 windsocks installed on Brunel Universities brutalist campus buildings, each coloured to the pallet of a different local bird species. Rip-stop nylon, galvanised steel, clamps, webbing | Sep 2019 - May 2020
2021, Swete Brethe, installation sited at the boundary line of the U.S. Embassy in London
2021, Stereo Pair permanent site-sensitive sound sculpture, Brunel University Campus
Maquette for Stereo Pair
2018, Substance [a whole history of hollows and reliefs] Hemispheric film installation with binaural sound
2018, Substance [a whole history of hollows and reliefs], detail
Zoe DeCaluwe – 2024, Sceawere, ceramic & aluminium - exhibited at Liminal Gallery
2025, Fib 1, Fib 2, ceramic and nylon
2025, Fib 1, Fib 2, ceramic and nylon
2024, Sceawere, ceramic and aluminium, detail
2025, Iron Key, wood and coins
2025, Iron Key, wood and coins, detail
2026, Please, ceramics and monofilament, detail
2026, Please, ceramics and monofilament,
The exhibition will be accompanied by 3 free participatory workshops delivered by local community arts practitioner Carson Parkin Fairley (co facilitator of the Happy Mondays Community Group and Director of Sonder Arts CIC).
Ramsgate Royal Harbour
Crane Shed exterior
Crane Shed exterior
Crane Shed interior
Crane Shed interior
Crane Shed interior
The 3 artists sculptural practice will stand in direct conversation with prompts and provocations from the writer and curator Jes Fernie.
Biographies
Jemima Brown
Receiving an MA in Fine Art from Chelsea College of Art Jemima Brown went on to win the 2011 Mark Tanner Sculpture Award. Early career achievements included a Fulbright Scholarship at UCLA in Los Angeles and the Cocheme Fellowship at University of the Arts, London. Her practice investigates the gender politics of domesticity via humour, social critique and formal sculptural decision making. Her manipulations of scale, surface and materials disrupt and highlight readings of primarily female cultural personae.
Relocating in 2014 from London to the East Kent coast brought fresh influences and perspectives which played out against the backdrop of heightened contemporary anxiety over the divisiveness of political and cultural debate. New work and ongoing bodies of work exhibited in the period from 2019 to 2022. ‘The Great Indoors’, was a major solo exhibition in 2019 at Canterbury Christ Church University’s Sidney Cooper Gallery in Canterbury, whilst ‘Peace Camp’ in Newbury, Berkshire, saw the culmination of a 10-year body of work celebrating the women of Greenham Common Peace Camp on the occasion of the 40th Anniversary of the establishment of the protest.
https://www.jemimabrown.com/pagecv
Phil Coy
Phil Coy works with a collage of hybrid materials, concepts and processes that oscillate between sculpture, film, photographic series, site sensitive sound works, text works and performance. He has exhibited nationally and internationally including Matt’s Gallery; South London Gallery; Royal Observatory Greenwich; FACT, Liverpool; Whitechapel Gallery; Eastside Projects, Birmingham; BFI London Film Festival; Focal Point Gallery; LOOP, Barcelona; Volt, Bergen, Norway; Whitstable Biennale; Ferens Art Gallery, Hull; Aldeburgh Music festival; Artprojx Cinema, New York. The permanent site-sensitive sound sculpture Stereo Pair (2021) is the subject of a new book published by Slimvolume (2026) with essays by Jenifer Lucy Allen, Lee Mackinnon and Will Self.
https://philcoy.info/phil-coy-biography/
Zoe DeCaluwe
German artist Zoe De Caluwé's (they/them, b. 1997, Hamburg, Germany) practice encompasses a range of materials including ceramics and found objects. Small acts recur: collecting, arranging and repetitive labour. These gestures accumulate slowly, creating a sense of suspension. The boundary between refuge and confinement remains unstable and constantly negotiated. The familiar domestic space becomes a charged site where reassurance and discomfort occupy the same ground
https://www.decaluwe.co.uk/about-zoedecaluwe
Carson Parker Fairley is a local community arts practitioner, co facilitator of the Happy Mondays Community Group and Director of Sonder Arts CIC. The mission of Sonder Arts CIC is to engage, inspire, and empower the residents of Thanet, by delivering high-quality, aesthetic community art projects that foster creativity, unity, and social cohesion, bringing positive change within local communities and society at large.
With kindness, accessibility and inclusivity as their guiding principles, Sonder strives to build a community where creativity flourishes and connections are forged, where everyone feels valued and supported on their artistic journey, recognising the inherent uniqueness and creativity within every individual.
https://www.sonderartscic.org/
Jes Ferni is an independent curator and writer with 25 years’ experience working with galleries, architectural practices, and public realm organisations on public programmes, commissioning schemes, exhibitions and residency projects across the UK and abroad.
http://www.jesfernie.com/index.php/profile